beax wrote:
Well, yes and no.. kind of depends what you are after but you can largely get some pretty good "deadish" results with them and breathe life in the production.
The ones I've used seem to be fine in a room that's not too 'fluttery', but not so effective in a very echoey room. They're good, but not miracle workers. That said, I have only used the lower end ones, so the professional ones may be a lot better.
beax wrote:
Getting a good sounding room is more inportant I recon in the mixing phase when things can become misleading.
You could be right. I'd tend to err towards it being equally important in both instances. Sh*t in, sh*t out, as they say.